Little Big Town’s Reimagined Version of Elton John’s “Rocket Man” is Hypnotically Ethereal

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If you’ve wondered why Little Big Town has been opening their Breakers Tour with a cover of Elton John’s “Rocket Man,” wonder no more. The country supergroup was tapped to reimagine and restore the legendary tune for the album, Restoration, which pairs a number of Elton John classics with current stars’ take on them.

Little Big Town’s harmonies have never sounded more inventive or creative as Jimi Westbrook takes over the lead vocals. The foursome sounds almost hypnotic.

 

Restoration highlights countries biggest stars with thoughtful interpretations by Dierks Bentley, Rosanne Cash and Emmylou Harris, Miley Cyrus, Vince Gill and Don Henley, Miranda Lambert, Little Big Town, Maren Morris, Kacey Musgraves, Willie Nelson, Brothers Osborne, Chris Stapleton, Rhonda Vincent and Dolly Parton and Lee Ann Womack.

“’It’s always a huge compliment when an artist loves your song enough to take the time and effort to rework it,” adds Elton John. “As songwriters, Bernie and myself are thrilled when singers we admire and respect as much as those on Revamp & Restoration choose to add their own unique twist in the process. It means that our music is still relevant and ultimately that our songs continue to reach new audiences. We’re humbled and thank them all for their generosity.”

The album art for Restoration was created by Bernie. The rustic musical instruments and flags from both nations is an extension of his mixed-media art that’s another form of expression. It symbolizes the role that U.S. culture and its native music has played as a driver in the John/Taupin canon.

“For me, there’s an irony about the American flag,” Taupin says. “It’s been battered and beaten and burned, but it’s resilient. It’s always come back. I incorporate it with other things, and lately I’ve done a lot of pieces with deconstructed guitars and other found materials: barbed wire, broken bottles, things that people identify with on an everyday level.  If it’s on the floor and it works, I’ll put it into the artwork. But it all goes hand in hand with my belief in America and my interest, I would say obsession, with Americana.”